Each of these environments is rendered with an enormous amount of care. Like Apple's 2021 sci-fi series Foundation, Silo is exceptionally polished, boasting everything from lush indoor farms to hulking mining machines. Made up of hundreds of levels, the titular silo is an incredible feat of engineering - and of TV production. Silo welcomes us into the mile-deep home of Earth's last 10,000 inhabitants.

Despite my occasional frustration with its chronology, Silo proves to be an engrossing and rewarding watch, one that devoted fans of dystopia and sci-fi will relish. In these ways, Silo acts as both a return to and a progression from the YA dystopias I devoured as a teen - so it should come as no surprise that I devoured it eagerly now. It also swaps blockbuster pizzazz for the darker, moodier trappings of prestige TV, like a non-linear timeline complete with many, many flashbacks. For starters, it's geared toward adults, boasting a cast of world-weary grown-ups instead of defiant teens. Still, Silo is not at all a retread of The Hunger Games and its brethren. These general themes extend to Silo, which makes sense given that its source material, Hugh Howey's novel Wool, came out in 2011 just as dystopia was becoming all the rage. Think film franchises like The Hunger Games, The Maze Runner, or Divergent, all of which depict post-apocalyptic societies where the upper class conceals resources - and secrets - from everyone else. Silo shares less DNA with Severance than it does with the young adult dystopia boom of the 2010s. The streaming service presents a more overt dive into dystopian sci-fi with its new drama Silo, about the last 10,000 people on Earth, who are living in an underground community. It's been a little over a year since Apple TV introduced us to the dystopia of Severance, which blended science fiction with workplace woes.

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